The term “paperless office” goes back at least to 1978. The parallel term “filmless movie” is actually far older, dating perhaps from a 1930 article by the Hungarian inventor Dénes Mihály in the West Australian, published in Perth on 9 April 1930. Given how long it took us to actually achieve a filmless movie even after Mihály had proposed the idea, it’s perhaps no great surprise that the paperless office is still, mostly, some way out of reach.
Radio Television Española (RTVE), which oversees Spain’s public broadcasting services, has equipped two refurbished Madrid studios with state-of-the-art video wall systems driven by a new Chyron PRIME Video Walls system, a newly refreshed CAMIO template-based graphics asset management solution, and updated LyricX CG systems.
The Gateway 4 is a powerful DSP-based 1RU IP codec designed for live remote broadcasting applications, as well as STL or SSL links. The codec supports AES67 and ST 2110-30 interoperability with AoIP protocols including WheatNet, Ravenna, Dante and Livewire+. An optional WheatNet-IP card can also be purchased.
Shinobi has a “bigger and brighter screen” with a calibrated peak brightness of 2200Nits for on set monitoring or preview display for video switchers or for vloggers presenting to camera. It has HDMI 2.0 support for 4Kp60, 3G SDI support up to 2Kp60.
TAG Video Systems to enable NBC Olympics to ensure the highest level of quality of OTT during its coverage of Tokyo Olympics.
In the beginning, there was television. And whenever people tried to make television programmes effective video signal monitoring was an essential pre-requisite.
In real systems the issue of sampling rate conversion arises frequently but fortunately there are plenty of solutions.
Display calibration and mastering equipment supplied by Big Pic Media.
