In the high stakes world of auto racing, every second counts so whatever a team can do to improve its performance, both on and off the track, is put into play. For the highly successful Corvette Racing team, which competes in endurance races that last 24 hours to the finish, it’s secret weapon is reliable two-way communication between its drivers and crew.
‘Table Top Time,’ from Josiah ‘Jazza’ Brook is being created using Pocket Cinema Camera 6Ks, Pocket Cinema Camera 4Ks and ATEM Mini Extreme. The Blackmagic Design workflow was first used to shoot an eight camera roll playing battle to celebrate the new channel hitting 100K subscribers.
In this second installment of our extended article looking into HDR for cinematography we look at the practical aspects and applications of HDR.
Grass Valley continues to help customers deliver more compelling content at low-cost entry points with the latest addition to its portfolio, Playout Xpress.
It’s nothing new for technological change to make things obsolete, but a camera manufacturer in the early 2020s might be forgiven a little nervousness. Just look at a catalogue from any electronics retailer in the late 80s. Bedside clock? More or less displaced by phones. Radio? Same. Walkman? Cellular communication devices do that, too. Dictaphones? You guessed it. And cameras? Well, holiday camcorders are a distant memory, as are point-and-shoot stills options.
Advanced Systems Group’s Virtual Production Control Room is a multi-vendor remote production service powered by Google Cloud. Other vendors include Grass Valley, Harrison Consoles, LiveU, Ross, Sienna, Telos, and Vizrt.
Answering the need for enhanced VOD and Live monitoring capabilities for content owners, aggregators, CDN operators and subscription service providers, Telestream, has introduced new enhancements to the IQ family of monitoring products and systems.
TAG Video Systems once again sets an industry first by supporting JPEG XS to allow live production in the cloud for industry leaders . JPEG XS is a format that answers the need for visually lossless quality with microseconds delay – significant concerns as more broadcasters seek to migrate their live production workflows to the cloud where overall contribution quality and latency are critical.
