TAG Video Systems once again sets an industry first by supporting JPEG XS to allow live production in the cloud for industry leaders . JPEG XS is a format that answers the need for visually lossless quality with microseconds delay – significant concerns as more broadcasters seek to migrate their live production workflows to the cloud where overall contribution quality and latency are critical.
L1, public television and radio broadcaster for the southern Netherlands province of Limburg, has chosen DHD Audio mixing systems for its HQ in Maastricht and a connected studio in Venlo. The equipment supplied to L1 includes a DHD-Audio 24-fader RX2 console, two 22-fader SX2 consoles, 15 TX consoles, six XC2 core processors and an XS2 core.
High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers’ demand.
The latest additions to the system include the release of TSL’s new Redundancy Package, which adds protection from unforeseen events with auto-failover during operation and manual failover for system maintenance. The latest software also introduces users to virtual re-entries, allowing the customer to extend the investment of their routers.
Pixellot, provider of AI-Automated sports video and analytics solutions, and LIGR, a cloud-based live graphics platform for sports, have an integrated solution for live broadcasting and streaming.
Norway’s biggest commercial broadcaster, TV 2 Norway, has chosen Grass Valley’s Kaleido-IP Video Multiviewer as part of its migration to open standards-based IP workflows.
Sound and Mastering Engineer Fernando Richard, Mixing Engineer Ivan Markovic and Sound Designer Francisco Bissone recently teamed up to launch Immersive Audio Solutions (IAS) in Argentina. The studio, which focuses on traditional music mixing, film and TV post-production and music recording, is designed to offer immersive sound solutions for a wide array of platforms. A Dolby Atmos-approved studio, IAS also has the capabilities of mixing for Sony 360 and Ambisonic formats. In order to best serve its immersive mixing projects, IAS selected NUGEN Audio’s Paragon reverb and Halo Upmix plug-ins.
Vizrt Live Production offers a cloud-based production solution for everything from traditional programming to live event streaming.
