TV equipment manufacturers are doing what broadcasters do best: Creatively helping each other work through a difficult technical challenge.
AMP VISUAL TV, a French provider of outside broadcasting (OB) facilities and production services, has chosen Riedel’s cutting-edge solutions to provide signal routing and processing as well as communications on board its all-new Millenium 3 and Millenium 4 live UHD production vehicles.
With fewer hands-on-deck in the newsroom, manufacturers have also had to pivot their R&D approach to support newscasters’ evolving needs for remote control. Broadcasters are seeking solutions that are quick and easy to implement, to simplify and expedite remote command and control over production capabilities and create seamless workflows.
On the internet, congestion and latency is added at the points at which carriers connect to each other. Understanding this will help you design a better quality video service, says Bernhard Pusch, Head of Global Internet Strategy at Telstra Corporation.
News12 Networks has selected Polygon Labs’ data aggregation and visualization platform, Ipsum, integrated with Epic Games’ Unreal Engine.
Chyron to enable NBC Olympics to employ sophisticated studio wall and on-air graphics during its coverage of the Tokyo Olympics.
So you’re a producer, and your cinematographer is campaigning for the use of anamorphic lenses. Problem is, they’re expensive, and for people who aren’t cinematographic propeller heads, it can seem hard to justify. Let’s look at what’s going on and how we got here, without assuming the reader has a masters’ in cinematography.
Maxon, a German developer of software for motion designers, visual effects artists and editors, has released its Universe 4.0 special effects package.
