Building optimized systems that scale to meet peak demand delivers broadcast facilities that are orders of magnitude more efficient than their static predecessors. In part 2 of this series, we investigate how this can be achieved.
The show’s design team, supported by Ampco Flashlight, the official technical supplier for lighting, rigging and audio, provided one-hundred 4088 Directional Headsets and 40 d:facto 4018V Vocal Microphones from DPA Microphones for all of the show’s vocal performances.
When Sky News launched a dedicated broadcast channel covering Derek Chauvin’s trial, for the George Floyd murder case, in a record-breaking nine days it did so using a cloud-based workflow, including video production and graphics from easylive.io and Singular.live.
When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of ways to promote the three-dimensional illusion.
Dalet CubeNG leverages the Brainstorm real-time graphics engine to deliver 2D and 3D branding across broadcast, social and digital channels.
Leading UK outside broadcast (OB) company NEP installs Inferno and other Glensound AoIP technology to provide full coverage of this year’s Wimbledon.
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Community radio broadcaster Eldos FM in Johannesburg, South Africa, is the latest broadcaster to take advantage of the benefits of IP with Calrec’s Type R for radio console.
IP is delivering unprecedented flexibility and scalability for broadcasters. But there is a price to pay for these benefits, namely, the complexity of the system increases significantly as we add more video and audio over IP.
