Try our new AI powered Smart-Search!
In this second installment of our extended article looking into HDR for cinematography we look at the practical aspects and applications of HDR.
Grass Valley continues to help customers deliver more compelling content at low-cost entry points with the latest addition to its portfolio, Playout Xpress.
It’s nothing new for technological change to make things obsolete, but a camera manufacturer in the early 2020s might be forgiven a little nervousness. Just look at a catalogue from any electronics retailer in the late 80s. Bedside clock? More or less displaced by phones. Radio? Same. Walkman? Cellular communication devices do that, too. Dictaphones? You guessed it. And cameras? Well, holiday camcorders are a distant memory, as are point-and-shoot stills options.
Advanced Systems Group’s Virtual Production Control Room is a multi-vendor remote production service powered by Google Cloud. Other vendors include Grass Valley, Harrison Consoles, LiveU, Ross, Sienna, Telos, and Vizrt.
Answering the need for enhanced VOD and Live monitoring capabilities for content owners, aggregators, CDN operators and subscription service providers, Telestream, has introduced new enhancements to the IQ family of monitoring products and systems.
TAG Video Systems once again sets an industry first by supporting JPEG XS to allow live production in the cloud for industry leaders . JPEG XS is a format that answers the need for visually lossless quality with microseconds delay – significant concerns as more broadcasters seek to migrate their live production workflows to the cloud where overall contribution quality and latency are critical.
L1, public television and radio broadcaster for the southern Netherlands province of Limburg, has chosen DHD Audio mixing systems for its HQ in Maastricht and a connected studio in Venlo. The equipment supplied to L1 includes a DHD-Audio 24-fader RX2 console, two 22-fader SX2 consoles, 15 TX consoles, six XC2 core processors and an XS2 core.
High dynamic range and wide color gamut combined with 4K resolution and progressive frame rates have catapulted broadcast television to new levels of immersive experience for the viewer. As HDR and WCG are relatively new to television, we need to both understand their application and how we monitor them to enable us to surpass the levels of quality and immersive experience cinematographers’ demand.
