Freelance Audio Engineer, Seth Mitchell, has worked on many high-profile events, including Utah Jazz games, the NBA Finals, the Olympics, and scores of Ultimate Fighting Championship (UFC) fights. As events adapted to COVID-19 protocols for their productions, Mitchell turned to several products from Studio Technologies, including its Model 214 Announcer’s Console, Model 370 and Model 374 Intercom Beltpacks, as well as its Model 381 On-Air beltpack.
U.S. pro audio retailer Westlake Pro has installed a Solid State Logic ORIGIN 32-channel analog in-line mixing console in a dedicated demo room where customers can also evaluate monitor speakers and outboard hardware processors prior to purchase.
The Society of Motion Picture and Television Engineers (SMPTE) is seeking technical papers for the SMPTE 2021 Annual Technical Conference.
KRK announces the expansion of its CLASSIC line of studio monitors with the addition of 7- and 8-inch models. Incorporating over 30 years of innovation, KRK’s CLASSIC product range was designed using concepts from the brand’s previous ROKIT lines to deliver the same high-quality mixes that customers have come to expect from KRK at a lower price-point.
The random-access characteristic of the disk drive made it attractive for audio editing purposes and when drive prices fell as computers became popular the attraction was even stronger.
The high-bright monitor sports a low-profile design for camera teams to view both HD and 4K video.
For the 15th year, Riedel Communications provided advanced intercom and signal distribution technologies and on-site engineering support for the record-breaking 65th edition of the Eurovision Song Contest (ESC).
With mature, cloud-based services now prevalent across the industry, helping to process and distribute content faster and more accurately than ever before, the long sought-after promise of producing content in the cloud—reducing cost and physical barriers—prompted broadcasters and production companies to experiment with new ways to make it a common reality.
