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The random-access characteristic of the disk drive made it attractive for audio editing purposes and when drive prices fell as computers became popular the attraction was even stronger.
The high-bright monitor sports a low-profile design for camera teams to view both HD and 4K video.
For the 15th year, Riedel Communications provided advanced intercom and signal distribution technologies and on-site engineering support for the record-breaking 65th edition of the Eurovision Song Contest (ESC).
With mature, cloud-based services now prevalent across the industry, helping to process and distribute content faster and more accurately than ever before, the long sought-after promise of producing content in the cloud—reducing cost and physical barriers—prompted broadcasters and production companies to experiment with new ways to make it a common reality.
AE Live, an internationally active provider of sports-related television services, has selected Custom Consoles M-Desk-Technical control room furniture for integration into new graphics suites at premises in Hemel Hempstead, Hertfordshire, UK.
IP is empowering broadcasters the world over to improve flexibility, scalability and resilience. We often describe the internet in “fluffy cloud” terms, but to truly leverage its capabilities, broadcasters must now dig into the detail of its operation.
In the high stakes world of auto racing, every second counts so whatever a team can do to improve its performance, both on and off the track, is put into play. For the highly successful Corvette Racing team, which competes in endurance races that last 24 hours to the finish, it’s secret weapon is reliable two-way communication between its drivers and crew.
‘Table Top Time,’ from Josiah ‘Jazza’ Brook is being created using Pocket Cinema Camera 6Ks, Pocket Cinema Camera 4Ks and ATEM Mini Extreme. The Blackmagic Design workflow was first used to shoot an eight camera roll playing battle to celebrate the new channel hitting 100K subscribers.
