Previously a basic record/play system using a hard drive was considered. This relied on a table linking time codes in the recording with physical addresses so that the drive would access audio data blocks in the right sequence slightly ahead of when they were needed. In that way a time base corrector could present the samples in an unbroken sequence at the correct sampling rate to a DAC. The mechanical timescale of a legacy medium such as tape or film has been replaced by a logical timescale.
Leveraging an expansive Riedel media backbone, PLAZAMEDIA GmbH has successfully staged all 51 UEFA EURO 2020 matches for live UHD broadcast on Telekom’s MagentaTV.
Building optimized systems that scale to meet peak demand delivers broadcast facilities that are orders of magnitude more efficient than their static predecessors. In part 2 of this series, we investigate how this can be achieved.
The show’s design team, supported by Ampco Flashlight, the official technical supplier for lighting, rigging and audio, provided one-hundred 4088 Directional Headsets and 40 d:facto 4018V Vocal Microphones from DPA Microphones for all of the show’s vocal performances.
When Sky News launched a dedicated broadcast channel covering Derek Chauvin’s trial, for the George Floyd murder case, in a record-breaking nine days it did so using a cloud-based workflow, including video production and graphics from easylive.io and Singular.live.
When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of ways to promote the three-dimensional illusion.
Dalet CubeNG leverages the Brainstorm real-time graphics engine to deliver 2D and 3D branding across broadcast, social and digital channels.
Leading UK outside broadcast (OB) company NEP installs Inferno and other Glensound AoIP technology to provide full coverage of this year’s Wimbledon.
