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When composing and lighting scenes, DOP’s usually seek to maximize texture and perspective. The rationale is simple: We live in a world that is unmistakably three-dimensional, so DOPs seeking to faithfully represent the natural world exploit a range of ways to promote the three-dimensional illusion.
Dalet CubeNG leverages the Brainstorm real-time graphics engine to deliver 2D and 3D branding across broadcast, social and digital channels.
Leading UK outside broadcast (OB) company NEP installs Inferno and other Glensound AoIP technology to provide full coverage of this year’s Wimbledon.
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Community radio broadcaster Eldos FM in Johannesburg, South Africa, is the latest broadcaster to take advantage of the benefits of IP with Calrec’s Type R for radio console.
IP is delivering unprecedented flexibility and scalability for broadcasters. But there is a price to pay for these benefits, namely, the complexity of the system increases significantly as we add more video and audio over IP.
Aside from being the first Summer Olympics to be delayed a year due to a pandemic—shifting technical plans and causing strict work-arounds to comply with health restrictions—this year’s live coverage by NBCUniversal (NBCU) is noteworthy for its move to all-IP operations within the International Broadcast Center (IBC) onsite in Tokyo and for its use of the network’s extensive and disparately located resources to make the Games a success.
ITV Sport used the Vizrt XR (Extended Reality) Set solution for the AR graphics in partnership with AE Live (AE) for UEFA European Championship 2020.
For many years broadcasters have been working with static systems that are difficult to change and upgrade. This two part series explores the unfolding of a more elastic future based on COTS hardware and flexible licensing.
