IP Oktoberfest 2021 will explore fresh advances in media over IP and real-world deployment of IP ecosystems for media production.
Riedel’s Artist and Bolero intercom systems helped Dodd Technologies orchestrate the U.S. swim trials for broadcast and streaming to fans around the world.
TJ Sports turns to TSL’s TallyMan Advanced Broadcast Control System to streamline event production.
IP is delivering new opportunities in terms of distributed processing and de-centralization. In the second part in this series, we look at the practicalities of using COTS hardware and the advantages it has for multiviewer monitoring over traditional SDI hardware solutions.
For most of its history, film and TV work has, by any sane measure, been incredibly complicated. Photochemical film was a nightmare of precision engineering and process control. Digital alternatives, intended to make things cheaper and simpler, involve some of our highest-performance electronics.
The pressure to extract more revenue from ever shrinking budgets, due to expensive content rights contracts, is causing Broadcasters to re-evaluate—and in many cases reduce—how they spend their money on production tools and infrastructure. Recognizing this, live production technology providers like Grass Valley are getting “creative” in how they sell their products and cloud-native systems.
Javier Fracchia’s studio in Buenos Aires has become the first mastering facility in Argentina to feature Genelec 8361A studio monitors, the flagship of ‘The Ones’ range of coaxial three-way point source models.
The conversion of monochrome TV to color was quite a trick, but it came at a cost.
