Dialogue is king in television. Let’s face it, you don’t watch an episode of your favorite police procedural or reality show just to listen to the sound design or the incidental music. But whether the content is scripted or unscripted, delivering intelligible dialogue can be a real challenge for the show’s mixer.
New pay-as-you-go licensing enables operators using the new lightweight and compact TE1 and TE2 Tempest Engines to flexibly scale processing capabilities according to broadcast production requirements.
An October NAB Show in Las Vegas feels about as awkward as forgetting to bring business cards.
For the past year an international group of technology companies, funded by the European Union (EU), has been looking into the use of 5G technology to streamline live and studio production in the hopes of distributing more content to (and from) viewers faster and more efficiently. Due to the restrictions imposed because of the coronavirus, most of the work thus far has been completed remotely.
Advanced Systems Group (ASG) has allied with Vizrt to integrate the Viz Vectar Plus software-based live production switcher into ASG’s Virtual Production Control Room. It will do so using Vizrt’s NDI video-over-IP protocol. NDI is also a component in the VPCR ecosystem.
DPA Microphones and KLANG:technologies have teamed up to create a system that will enable live event teams to immerse singers and musicians in their on-stage performances.
In the last article in this series we looked at how KVM improves control, reliability, security and integration for multiple devices and cloud systems. In this article, we look at how latency is addressed so that users have the best quality of experience possible.
The Alliance for IP Media Solutions (AIMS), in partnership with the Video Services Forum (VSF) and the Advanced Media Workflow Association (AMWA), has opened registration for IP Oktoberfest 2021, a live, interactive, virtual event for broadcast and Pro AV professionals.
