The latest NDI Multiview Lite and NDI Multiview Pro from BirdDog adds ISO recording to the Pro version in resolutions up to 4Kp60 in native NDI codec.
Riedel’s intercom and audio distribution systems are a game-changer for Crealine’s live event productions.
The recursive filter has the advantage of using less hardware, but is more complex to understand.
MBC GROUP, a media company in the MENA region, recently upgraded its audio infrastructure with AES67/RAVENNA-compliant Lawo IP equipment for its two control rooms and studios located in Dubai Studio City.
It’s still early days for live Dolby Atmos broadcasting in the United States, but Glenn Stilwell, senior audio engineering and operations manager for the Pac-12 Networks, is ready for it. Indeed, not only has Stilwell been experimenting with creating Dolby Atmos mixes in preparation for its more widespread use in live broadcasting, but he is also helping to train A1s in the technical aspects of the immersive format.
The Quicklink Studio and Studio-in-a-box solutions have been used by The People’s Court, a long running TV court show, to continue production during COVID-19.
Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.
Malaysian talk show Talking Grace has migrated to cloud production with the help of TVU Networks, a California based provider of cloud and IP-based live video technology.
