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The pandemic has affected the system design and operations of live sports production in a myriad of ways. At first it was difficult for many to figure out but then evolved into the deployment of innovative types of distributed workflows and crews that drastically altered the physical positioning of technology and human resources.
Titler Live 5 graphics and titling software delivers enhanced usability and new features to the live broadcast market in three specialized editions.
Postlab support for Media Composer unlocks the cloud for Avid editors; features collaborative remote editing with familiar Bin Locking capabilities and pay-as-you-go pricing model.
At one time, it was traditional to complain about the things that science had promised us but failed to deliver. Now we actually have a jet pack that’s practical, or at least that lasts more than thirty seconds, we’re free to turn our attention to some other things that seem perpetually just around the corner.
This IP-native mixing system is based on the open AES67/RAVENNA Audio-over-IP networking standards and also complies with ST2110-30/-31 and ST2022-7. Powered by the Lawo Power Core Engine, diamond provides expandable I/O, accommodating AES67, MADI, analog, AES3 as well as Dante audio sources and destinations.
Chyron has announced the release of Paint 9, a major new release of the company’s popular sports-agnostic, illustrated replay-and-analytical commentary software that leverages XML data.
John Harris became a music mixer for broadcast television at a time when there was no such job. In the decades since he’s won 12 Emmys, three Grammys and a Peabody Award and has been at the forefront as the industry has made the transition from stereo to 5.1 surround and now immersive audio.
DPA Microphones has released a new accessory, the MS4099 Mic Stand Mount, for its renowned 4099 CORE Instrument Mic. The company has also started shipping the anticipated brown version of its new 4466 CORE Omnidirectional and 4488 CORE Directional Headset Microphones.
