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Lithium batteries are all the rage on account of their low weight and high capacity. But how good are they really?
Telestream has announced its monthly YouTube and Facebook live show created to educate and inform both aspiring and expert streaming professionals. Dubbed The Wirecast Show, the content and topics cover every aspect of video production and live streaming, making it a unique program and reference for users of all experience levels.
This free 82-page eBook is your definitive guide to IP security for broadcasters. Written by our Editor Tony Orme, it gathers 12 original independent articles that examine the complex issues of security, explain the terminology and IT standards involved, and explore techniques available to help broadcasters secure their IP infrastructure. This book is vital reading – download your free copy now.
Modern broadcast facilities adopting video and audio over IP have found themselves working with thousands, or tens of thousands, of IP streams. Expecting humans to keep track of all these flows, monitor their quality and efficiently fault find is a virtual impossibility.
Compression is the ultimate enabling technology behind broadcasting. Without it, life would be very difficult indeed. In this new series, the whole topic will be explored at some depth.
The Alliance for IP Media Solutions (AIMS) and the Audio Engineering Society (AES) are partnering to present the Media over IP Pavilion at the AES New York 2022 show, scheduled for Oct. 19-20 at the Javits Convention Center in New York City.
In the final article in this series, we look at datasets, their importance and why GPUs are critical for machine learning.
Like a lot of new ideas in film and TV, high dynamic range pictures are easy to like. The fear is that they’re far harder to create. In reality, HDR isn’t necessarily a huge burden, certainly not in the way that stereo 3D can be. It’s often been possible to take well-shot images which were produced with no thought of an HDR finish, and make them available in HDR via a fairly straightforward re-grading process. Most people are aware of the truism that proper exposure is the cinematographer’s first responsibility, and we should probably hold on to that thought.
