The Blue Lucy team will demonstrate how BLAM’s new report dashboard provides unparalleled insights into content supply chain operations at the 2025 NAB Show. Visitors to the booth will also be introduced to the tiered commercial model for Blue Lucy’s media portal, BOLT.
‘Monitoring & Compliance In Broadcast’ explores how exemplary content production and delivery standards are maintained and legal obligations are met. The series includes four Themed Content Collections, each of which tackles a different area of the media supply chain.
Part 1 contains four articles which discuss considerations for monitoring networks and compute systems in multi-site and remote production systems, the role of file based monitoring in complex production workflows and our partner AlvaLinks discuss their tools for monitoring SRT streams.
‘Monitoring & Compliance In Broadcast’ explores how exemplary content production and delivery standards are maintained and legal obligations are met. The series includes four Themed Content Collections, each of which tackles a different area of the media supply chain.
Our resident provocateur Dave Shapton speculates on the nature of compression and its potential future evolutionary path.
Ikegami Electronics announces a new addition to its range of broadcast quality television production, control and monitoring equipment. The IPX-100 is an IP gateway for Ikegami UNICAM XE and UNICAM HD cameras.
Why the composition and workflow of the gallery creative team have remained largely unchanged for many years… and the effort taken by engineering to support creative teams.
arkona’s BLADE//runner suite of live broadcast technology and manifold’s manifold CLOUD multiviewer tapped for NEP’s growing fleet of IP trucks and IP-enabled production centers.
Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.
