Understanding IP Broadcast Production Networks is a free 62 page eBook containing a collection of 14 articles which provide the basic building blocks of knowledge required to understand how IP networks actually work in the context of broadcast production systems.
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Working with systems integrator Broadcast Solutions, SuperSport, leading South African broadcaster and content supplier, has chosen Calrec to fulfil the audio demands of its new 4K/UHD IP-native OB truck, IP1.
Streaming changes the security profile for broadcasters, video service providers and content owners, reducing some long-established threats while bringing new ones. Streaming also brings threats to consumers themselves, some of which in the case of paid services are the responsibility of providers, when privacy is compromised for example.
Our series exploring the basic technology and tools of audio in broadcast continues with a collection of four articles which discuss the purpose and features of the essential audio sweetening tools; Dynamics, EQ and Noise Control.
Ned Soseman gives us a rundown of some of the trends in US regional TV stations and what the biggest budget items have been in 2023.
_460_259_70.jpg "Danish regional broadcaster leverages fast, streamlined workflows that enable enhanced productivity.")
Production automation specialist nxtedition has been selected as a preferred vendor by TV2 Kosmopol, the leading regional broadcaster serving the Greater Copenhagen area of Denmark. As part of the broadcaster’s wider commitment to delivering high-quality programming and services to its viewers, the nxtedition platform will be used to improve newsroom automation and make production workflows faster and more efficient.
Virtual Production For Broadcast is a major 12 article exploration of the technology and techniques of LED wall based virtual production approached with broadcast studio applications in mind. Part 3 examines shooting locations for virtual production, creating virtual versions of real objects and motion capture.
Moving beyond the use of three primary colors could significantly increase the range of colors we can reproduce. There is no doubt it could improve the viewer experience but what are the barriers to adoption?
