Our series exploring the basic technology and tools of audio in broadcast continues with a collection of four articles which discuss the purpose and features of the essential audio sweetening tools; Dynamics, EQ and Noise Control.
Ned Soseman gives us a rundown of some of the trends in US regional TV stations and what the biggest budget items have been in 2023.
_460_259_70.jpg "Danish regional broadcaster leverages fast, streamlined workflows that enable enhanced productivity.")
Production automation specialist nxtedition has been selected as a preferred vendor by TV2 Kosmopol, the leading regional broadcaster serving the Greater Copenhagen area of Denmark. As part of the broadcaster’s wider commitment to delivering high-quality programming and services to its viewers, the nxtedition platform will be used to improve newsroom automation and make production workflows faster and more efficient.
Virtual Production For Broadcast is a major 12 article exploration of the technology and techniques of LED wall based virtual production approached with broadcast studio applications in mind. Part 3 examines shooting locations for virtual production, creating virtual versions of real objects and motion capture.
Moving beyond the use of three primary colors could significantly increase the range of colors we can reproduce. There is no doubt it could improve the viewer experience but what are the barriers to adoption?
The shift from DTT to OTT centric delivery and full-scale streaming is set to generate growth from current peak streaming demand to a potential 10x increase in required capacity. In this two-part article we use the UK as a model to present a theoretical new streaming infrastructure based on a unified edge network.
Traditional monolithic software applications were often difficult to maintain and upgrade. In part, this was due to the massive interdependencies within the code that required the entire application to be upgraded and restarted resulting in down-time that regularly created many headaches for the software developers and users. Consequently, software upgrades and releases were delayed until they really needed to be done, resulting in an inherent fear of most changes to the application.
EditShare and Canadian Channel Partner, DXM, have installed a large network of EFS storage devices at Pixcom, a leading Canadian production company. Pixcom, based in Montréal, has a permanent team of over 50, employs over 5,000 freelance artists, technicians and production teams and has relied on EditShare storage for more than a decade.
