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Talk to any audio engineer in the broadcast or live segment and they will tell you that separating the control surface (some call it the front end) from the I/O stageboxes and routing/patching section (the back end) as well as the DSP processor makes their lives so much easier, especially if such a setup evolves around an intuitive management system.
The Video Services Forum (VSF) has released two new ancillary features to enhance the Reliable Internet Streaming Transport (RIST) protocol by incorporating Decoder Synchronization and Multicast Discovery.
The Bathurst 1000 is a massive production by anybody’s standards, with 175 cameras, 10 OB’s, 250 crew and 31 miles of fiber cable. Here is how the team at Gravity Media Australia pull it off.
Multimedia system designer and integrator Fuse Technical Group chooses Matrox Video’s technology to drive SMPTE ST 2110 routing, orchestration, conversion, and control inside Sphere in Las Vegas, where U2 is performing the venue’s first-ever shows. Show and event producers rely on the technology to feed and manage SMPTE ST 2110 signals for what is currently the biggest show on the planet.
Artificial Intelligence (AI) – which we should all really be calling Machine Learning - has found many applications within the media & entertainment world, driving innovation and pushing the boundaries of video production technology and advanced workflows. There’s a little secret about AI applications in media: metadata makes them work.
Professional German football club 1. FC Köln has deployed Newsbridge’s Cloud Media Hub and Mobile App powered by MXT-1 AI indexing technology to improve its content workflows. Newsbridge’s state-of-the-art solutions enable the three-time Bundesliga champions to ingest and auto-index the club’s vast library of digital assets, efficiently create content, and quickly distribute media to partners, players, and fans via social platforms.
The purpose of the new Video Delivery Network model is to provide high-performing capacity with economies of scale for the benefit of (potentially) all broadcasters in a geographic location.
Outside broadcast adds layers of complexity to audio workflows. We discuss the many approaches to hybrid remote production and discuss the challenges of integrating temporary or permanently distributed production teams.
