Consumers care less about how content is delivered to their device than about the quality of the experience (QoE) on that device. This means engineers need to rethink how test and measurement tools can best be applied.
As competition for viewers’ attention increases, MPVs and networks must compete against new digital offerings. This means that marketing and promotion is more essential than ever to a show’s success. Fortunately, new tools make planning easier.
The inevitable merging of computer networking technology and audio distribution has arrived. Now is a good time to re-examine the assumptions and concerns that are holding some professionals back from choosing audio over IP solutions, as decisions made today will affect their facilities and clients for years to come.
The growing ability of CDNs (Content Delivery Networks) to enable live video streaming over the Internet was a major theme at the Content Delivery World 2015 forum in London on October 5-7. Vendors and operators agreed that virtualization of the CDN was essential for scaling high quality OTT services by separating network control from the underlying hardware, avoiding reliance on a specific configuration that might run out of capacity. With virtualization, a given service can call on large reserves of capacity as required to meet peak demand.
Semantically enhanced smart data, combined with analytics, can provide powerful business marketing tools for video distributors according to Spideo. In its white paper, “How Smart is your Data? the video recommendation engine provider explores several areas in which semantically enhanced smart data opens up new business opportunities and demonstrates the impact recommendation engines have on user experiences.
In September 2015, Hibernia Networks launched the first trans-Atlantic submarine cable since 2003. The new Hibernia Express cable is the first system optimized for low latency. This article focuses on the latency proposition of the new cable system.
Media needs to be found, edited and delivered and each stage of the process presents its own issues. Ideally, editors need to be able to search, browse, select and bring media into edit, without copying, transcoding or re-wrapping. However, at the moment, not every edit system is able to handle every flavour of media. This situation is getting worse as new capture formats frequently appear.
This article is Part 2 of Gary Olson’s series on digital terminology. As promised, this article continues the explanation of the next series of terms that engineers, technicians and technical managers need to understand.
