Today’s broadcasters face increasing challenges in the preparation and delivery of digital video in an efficient and cost-effective manner. Content now needs to be delivered across a growing number of platforms and screens. And processing such assets in multiple formats requires new workflows and tools, all of which increases operational complexity. Is there a solution? Yes.
With the transition from baseband audio and video into IP infrastructures, operational requirements of the overall control system do not differ. The control of IP-based infrastructures should look and feel the same as a traditional system, and established work flows should still be supported after the migration.
Unless you are a greenfield site, have one vendor to meet all your operational and creative needs, or are incredibly lucky, you will at some point need to integrate your Cloud Software-as-a-Service into the broadcast workflows. This is much easier said than done.
In its continuing quest to provide broadcasters with traditional and new media solutions, systems integrator Adore Technologies Singapore has selected Riedel’s Artist digital matrix intercom solution for Accenture’s webcast facility in Gurgaon, India.
Master once and use forever should strike fear in the heart of anyone why hasn’t got their quality pipeline correct. What does this mean for IMF?
Quality control (QC) operations are evolving. A decade ago, QC was strictly a manual-based process. In more recent years, broadcasters have relied on file-based, automated QC workflows to speed up operations and ensure the accuracy of video and audio content.
As recording technology has migrated to personal computers, most users now have a recording interface in their studio. But what exactly does a recording interface do and what’s the difference between the many models available?
In the previous Cloud Broadcasting article, we looked at the business case for public clouds. In this article, we delve further into Cloud Born systems and go deeper into cloud security.
