Recent Content

The evolving world of data connectors make choosing interfaces more complex than ever.

Making Sense of Thunderbolt 3 and USB-C February 22nd 2018 - 01:50 PM

If you’re like me, making sense of evolving computer standards like Thunderbolt 3 and USB-C is confusing. These standards seem to change often and sometimes when plugging things in that ought to work, they don’t work at all. It’s all in the details. Here’s an overview of where we stand.

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The color grading suite at Light Iron in Hollywood uses a Sony BVM-X300 OLED HDR 4K professional reference monitor for grading.

UHD Post-Part 3 Meeting it in Post February 21st 2018 - 12:05 PM

If UHD is going to become a mainstream broadcast medium, we’ll need to be able to monitor, edit and review it. But can we?

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Setting up a color workspace using Adobe

UHD Post-Part 2 The Signal February 14th 2018 - 12:05 PM

With ATSC 3.0 poised to change the broadcast industry’s basic signal, we need to understand this signal is poised between HD and true 4K.

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Streaming While Staying Sustainable - Next-Gen Compression For OTT February 14th 2018 - 11:00 AM

Over the past five years, the ways in which we choose to watch television have shifted dramatically. It wasn’t too long ago that live TV was the only option available to us. We had to make sure we were seated with the television on, at the time our favourite shows and movies were scheduled to be broadcast. If we didn’t, we simply missed them.

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Protecting expensive media assets demands a multi-layered auditing and Security Information and Event Management (SIEM) solution.

Identifying the Gaps in Your Facility’s Security Plan February 14th 2018 - 10:00 AM

Protecting the security of media is sometimes an unresolved issue. The first step to securing valuable content is a thorough review to identify any gaps in a facility’s security plan. Then, implement industry best practices and security layers to safeguard those assets.

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Aperi partnered with Gearhouse to provide a fully-operational remote 4K test at UEFA Euro 2016.

IP and Software-based Broadcasting Infrastructures: Fact vs. Fiction February 12th 2018 - 11:00 AM

IP’s suitability for live broadcasting is no longer debatable. It’s been proven in a variety of real-world global deployments over the past several years. Even so, there’s lingering skepticism around IP and a surprising lack of understanding.

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Broadcast For IT - Part 5 - PAL Line and Frame Relationships February 9th 2018 - 09:00 AM

In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s. In the last article we looked at the incredibly complex relationship between lines and frames for NTSC systems used in the USA. In this article we look at the systems used in the UK and Europe.

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Audio is becoming an IP-centric technology that offers many benefits. Image: Rob Wolifson, TCN audio supervisor at Nine Network in Sydney.

Audio Over IP - Why It Is Essential February 8th 2018 - 11:00 AM

The impact of IP on the design of broadcast equipment and infrastructures is profound. Many broadcasters are replacing existing analog, AES3, MADI and SDI ports with a new class of interface for connecting to standard IT switch infrastructure, together with new control mechanisms for connection management and device discovery. In the process, they’re embracing an emerging set of open standards for interoperable, vendor-neutral signal transport.

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