Competition in the global video and media market is increasing with many more points of creation and distribution of content being made available. Combined with an exploding catalog of programming and new devices to support, broadcasters can no longer succeed with a one-to-many delivery solution. Successfully meeting these challenges requires a trustworthy technology partner.
The options for sophisticated post production editing are becoming ever more varied. Now, you can even carry them with you in your pocket.
Broadcasting used to be simple. It required one TV station sending one signal to multiple viewers. Everyone received the same imagery at the same time. That was easy.
A few years ago, remote Pan Tilt Zoom (PTZ) cameras were regarded as being low quality and not suitable for professional use. Thanks to the advances in sensor, IP technology, the introduction of fanless designs and optical image stabilisers, the balance has been tipped in favour of remote cameras as an industry standard.
As we migrate to IP, broadcasters are thinking about how they will interface their SDI, MADI, and AES systems together. Many see the benefit of IP and one day all devices will be IP-enabled. But until that time arrives, we need to understand how to interface new and old together. In this article we investigate real applications on how to connect existing and new technologies.
This year’s IBC press conference featured four eloquent and notable speakers: Micheal Crimp (IBC CEO), Roger Thornton (IBC Convention Chairman), Jessica Lapsiwaia (Head of Content for IBC) and Kim Jackson (Co-Founder and President of Entertainment at Singular DTV). However, Jackson stole the spotlight with her talk on the emerging uses for blockchain and its potential applications within the broadcast and media industry.
Throughout this series of articles, we’ve been investigating the detail of how OTT internet delivery works. In this article, we dig deeper into the operational systems, and investigate the additional benefits and necessity of monitoring.
With the use of online video exploding, the need for compression to maximize bandwidth use has never been greater. Getting so much content down a limited pipe can be a challenge if not handled correctly. The decision now for content distributors and OTT service providers is which codec to support. There’s H.264, HEVC, AV1 and VP9 all competing for the space.
