For many years broadcasters have been working with static systems that are difficult to change and upgrade. Although we have video and audio routing, the often-tangled mess of jackfield patch-cords is testament to how flexible broadcast systems really need to be to meet the demands of modern program making.
SDI is one of those technologies that is so well established and ubiquitous it can almost be taken for granted.
A sharp rise in TV viewing during the Covid-19 crisis has been widely anticipated and is now being confirmed by survey results around the world.
These days TV broadcasters are working feverishly to work out new remote production workflows for stay-at-home talent, but for radio broadcasters it’s been business as usual. In fact, many engineers have found that the remote control features they already use for troubleshooting are highly extensible and can be slightly modified for use by production staff.
CBC/Radio-Canada (CBC) is putting the finishing touches to a brand new all-IP broadcast facility that will provide virtually unlimited flexibility across multiple platforms to support highly efficient production and distribution workflows for its radio, TV and online programming.
You have two key choices for remote technologies: those that give you remote access into machines and devices at your facility or those based in the cloud. Depending on your needs it may be sensible to take a mixed approach.
Viewing audiences are continually driving broadcasters to deliver improved video formats to further enhance the immersive experience. It didn’t seem so long ago that HD was lauded as the best format ever. Not only did we end up quadrupling the number of pixels and frame rates to deliver 12G-SDI, but we also mixed them with high dynamic range and wide color gamut.
TV stations refocus their creative talents and energies on staying healthy and on the air.