For most of its history, film and TV work has, by any sane measure, been incredibly complicated. Photochemical film was a nightmare of precision engineering and process control. Digital alternatives, intended to make things cheaper and simpler, involve some of our highest-performance electronics.
AJA Video Systems has released Desktop Software v16.1 for KONA, Io, and T-TAP Pro products, alongside AJA SDK v16.1 for Developer Partners.
Argosy, a UK based supplier of broadcast and AV infrastructure products, has launched Hyperflex, a package of SMPTE camera cables and associated products for HD and Ultra HD.
The pressure to extract more revenue from ever shrinking budgets, due to expensive content rights contracts, is causing Broadcasters to re-evaluate—and in many cases reduce—how they spend their money on production tools and infrastructure. Recognizing this, live production technology providers like Grass Valley are getting “creative” in how they sell their products and cloud-native systems.
Video interface and IP workflow vendor Magewell has launched multi-device management software available free of charge for on-premises server or cloud hosting platforms.
The conversion of monochrome TV to color was quite a trick, but it came at a cost.
The studio at Visual Three boasts a robust 4K/UltraHD HDR infrastructure equipped with a range of AJA’s powerful broadcast solutions, including the FS-HDR real-time HDR/WCG frame sync and converter, to produce pristine content for live workflows.
ATTO Xtend SAN iSCSI Initiator now supports the Apple M1 system on a chip, making ATTO Xtend SAN the only way Apple M1 users can connect to iSCSI storage.
