In the last article in this series, we looked at why integrated monitoring is a necessity in modern broadcast IP workflows. In this article, we dig deeper to understand what is new in IP monitoring and how this integrates with traditional workflows.
Native Livewire+ support removes conversion stages when transporting multiple audio streams between studios, while Ascent brings overall greater scale and reliability for high-bandwidth video and audio transport
Gravity Media will be providing a range of onsite technical facilities from standup positions to complete temporary studios for broadcasters covering the FIFA World Cup in Qatar in winter 2022. Globecast is providing fully redundant satellite and fibre connectivity as well as public internet reach if desired. Gravity will also provide post-production services for broadcasters.
Qvest and Grass Valley sign $25 million global agreement for media and entertainment infrastructure innovation.
The launch is BEAM Dynamics’ first and is presented as the first product that addresses the problem of downtime on set, estimated to cost the industry $6 billion per year.
A few years ago, a prominent manufacturer of studio support equipment did something unusual: it went to NAB with an experienced broadcast camera operator to discuss a part of live production that’s invisible when done well. Following a driven golf ball is one of the trickiest tasks in any branch of film and TV, demanding not only skill but equipment which allows people to exhibit that skill.
Television ratings service Nielsen recently released a report that showed streaming platforms pulled in a bigger share of viewers’ time then broadcast networks did. In fact, Netflix and YouTube alone now make up about 12 percent of the time Americans spend in front of their TVs.
Rally Access for Adobe Premiere Pro is now available to users of the SDVI Rally media supply chain platform through direct download from Adobe Exchange.
