The UK’s largest and must-attend event for the media and broadcast sectors is back at London’s iconic Olympia on 11 and 12 May to host its 2022 edition.
Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.
Riot Games, games publisher behind League of Legends Esports (LoL Esports), has chosen Sony subsidiary Nevion to support its global IP remote production initiative called Project Stryker.
Filmmaking is now an artform with a long history, and that means a lot of received knowledge. Things like primes being better than zooms, and characterful primes best of all. The public attitude to that orthodoxy, though, is starting to show some signs of changing, and the dawn of a new year seems like a good time to examine some of the ways that’s starting to show up in production.
Greece-based INA TV is using Calrec’s Summa console and Hydra2 networking technology to satisfy the complex UEFA technical specifications to broadcast European qualifying matches for this year’s World Cup.
TAG Video Systems has announced that it has exceeded 100,000 monitoring points deployed globally.
Broadcast microservices specialists nxtedition has inked a five-year deal with KNR (Kalaallit Nunaata Radioa), the Greenlandic Broadcasting Corporation.
The new year is a time to ponder the past and muse about the future. In the past, nearly each technical device needed to produce broadcast TV cost more than building a new house, was as huge as it was heavy, and made pictures nobody would accept today. About 20 years ago, many analog TV stations were launching their DTV stations. Today, US TV stations are launching ATSC 3.0. Can you imagine what TV broadcasters will be doing in 2042?
