SDI has been and continues to be a mature and stable standard for the distribution of video, audio and metadata in broadcast facilities. From its inception in 1989 to the modern quad-link 12G-SDI available today, it has stood the test of time and even with the advent of IP and Ethernet, it shows no sign of waning.
Several things are widely held to be true about HDR. Subjectively, it looks nice; most people instinctively like it. Also, it’s often described as being about higher brightness, and while that’s rather missing the point, it’s still very common to specify displays solely on the basis of their peak light output. More power is good, right?
The era of dominance by video codecs from the MPEG stable is ending as rivals, especially the Alliance for Open Media (AOMedia) comprising big internet technology companies such as Google, jostle for position.
A full-service, end-to-end post-production house based in London, ENVY Post Production supplies a variety of high-quality services to a growing stable of high-profile customers around the world.
KVM-over-IP or classical KVM: what’s the better solution for my application?
This is the second instalment of our extended article exploring the use of Microservices.
It should constantly be borne in mind that although digital audio is a form of data, those data represent an audio waveform and there are therefore some constraints on what can and cannot be done to the data without causing audible impairment.
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New York City has been impersonated by a lot of places, from Gangs of New York (shot in Italy) to Escape From New York (Atlanta) to Wall Street story American Psycho (Toronto), and even the toponymic 42nd Street, which was mocked up in Burbank. One production that did shoot in its purported home town, though, and which has enjoyed a four-season, forty-episode run, is Search Party.
