Cobalt Digital’s software-based embedding and de-embedding solution will be highlighted at NAB 2022 along with the company’s new Indigo SMPTE ST-2110 solution, RIST demos and Technicolor feature.
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As our industry adapts to new viewing habits and evolving commercial environments, Calrec is helping broadcasters to stay ahead as they switch to IP infrastructures; to achieve efficiency with remote broadcasting; to save money with virtualised production.
DAMsmart, Asia Pacific’s largest, fully established and dedicated audio-visual digitisation services bureau, has announced the launch of its Film and Video Tape Digitisation Services in Amazon Web Services (AWS) Marketplace.
News content production and distribution have been revolutionized in almost equal measure by social media in an ongoing process dating back to the dawn of Twitter, Facebook, YouTube and the others around 2005.
Flexibly deployable on an on-premises server or cloud hosting platform, Magewell Cloud provides centralized configuration and control of multiple Magewell streaming and IP conversion solutions.
Veritone, creator of aiWARE, a hyper-expansive enterprise AI platform, has partnered with EMPA GmbH to work with SPORTTOTAL LIVE GmbH and ADAC Nordrhein e.V. to bring AI-enabled video discovery, metadata enrichment, and search capabilities to the 50th ADAC TotalEnergies 24h Race at the Nürburgring.
The musical segments during the pre-game and halftime shows at this year’s Super Bowl, which aired on NBC and Telemundo, were mixed on a Solid State Logic System T networked broadcast production console installed at the NFL’s new West Coast headquarters, rather than the usual dedicated remote truck — a first in the history of the championship game.
A consortium of the five largest motion picture studios in the U.S. is developing the next generation of production and post workflows, using the cloud at its core, to save time and money and allow the best and brightest production teams to be located anywhere in the world yet collaborate and share files as if they were in the same room. Indeed, by the end of 2030, entertainment productions will be produced in very different ways, rearranging or inverting today’s workflow steps dramatically.
