Straight Arrow News choose Quicklink Studio (ST55) to integrate high-quality, remote guest contribution into existing workflows.
On the morning of March 9th, Bill Macbeth, Chief Engineer at local Fox affiliate KBSI hit the switch on the station’s Rohde & Schwarz THU9evo liquid-cooled UHF transmitter and, in a video posted on social media, uttered the words: “Transmitter is on, we are making power.” Just like that, they were broadcasting a new NextGen TV (ATSC 3.0) signal over the air to its audience in Southeastern Missouri, Western Kentucky, and Southern Illinois.
Recognizing the importance of business continuity for television networks wishing to maximize viewership and revenue without the need to replicate their primary playout operations, Imagine Communications has worked with NESN (New England Sports Network) to protect the media company’s valuable on-air assets by implementing a comprehensive, cloud-based disaster recovery (DR) solution.
As network speeds continue to advance, broadcasters are finding they are no longer restricted to single solutions such as SDI. Instead, new methods of reliably distributing high quality media signals are finding their way into the broadcast infrastructure.
Riedel Communications has announced that Richard Kraemer and Josh Yagjian have joined the company as regional sales representatives for North America. Kraemer, who is based in Toronto, will oversee sales in Canada, while Boston-based Yagjian will help cover accounts in the Northeastern region of the U.S.
South Korean cable TV broadcaster MBN (Maeil Broadcasting Network) recently completed their second large-scale project with Lawo, upgrading their new broadcast production facility in Seoul with mc²56 consoles, A_UHD Core audio engine and multiple A__line AoIP stageboxes.
Black Box high-performance KVM-over-IP solutions are tailored to the unique requirements of modern control rooms, media production and postproduction facilities, and broadcast playout environments, giving users exceptional flexibility and the ability to react quickly to a wide variety of situations with ease.
Whether we think of it as virtual production, or just a particularly sophisticated variation on the back projection techniques that have been used for years, direct-view LED video displays have gained a hugely positive reputation in film and television effects work.
