It’s quite incredible to think that real time broadcast signal workflows are now actively encouraging software processing. It wasn’t so long ago that video images had to be processed in hardware to meet the tight timing constraints that live video processing demands.
Rai Way, a leading Italian network infrastructure and services operator, selected Lutech SpA and its technology provider, Imagine Communications, to support the rollout of its new IP video and audio contribution and distribution network “IP Matrix” project.
Scality has announced the availability of its Scality S3 Object Storage on the HPE GreenLake Cloud Services platform to accelerate on-prem cloud services for customers who want to retain their data sovereignty, scale easily and manage costs.
While the amount of content generated by broadcasters and program providers continues to increase exponentially, the need to manage those assets and support collaborative production as well as a myriad of distribution platforms has never been greater. The pressure is on to compete in today’s multiplatform world, where even small-market TV stations are expected to deliver a steady stream of content to the Web and mobile devices in addition to their linear broadcasts.
Dealing with brightness in camera systems sounds simple. Increase the light going into the lens; increase the signal level coming out of the camera, and in turn increase the amount of light coming out of the display. In reality, it’s always been more complicated than that. Camera, display and postproduction technologies have been chasing each other for most of the last century, especially since a period in the late 1990s or early 2000s, when electronic cameras started to become good enough for serious single-camera drama work.
Here we look at alternating current (AC) systems and how generating AC often requires an intermediate step of converting to DC to improve the efficiencies of AC generators.
Dalet Flex provides cloud-based media logistics workflow that facilitates AFL’s enterprise archival digitisation project to preserve the visual history; streamlines content purchasing and sharing, creating deeper fan engagement opportunities.
Virtual production based around LED walls involves a disparate collection of technologies, and the people best placed to get the best out of the technology are often multi-disciplinarians with experience across several fields.
