With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.
Built for broadcast engineering, operations and post production personnel who need to visually QC files when they are remote from the media, GLIM plays master video files of any size and format directly to a browser on-the-fly without the need to generate a proxy.
Companies, educational institutions, and live event organizers around the world raced to revamp their content creation strategies during the pandemic and virtualize a range of activities – from internal training and communications to delivering dynamic content to remote audiences.
Danish fiber broadband provider Waoo has gone to 24i, video streaming subsidiary of the Aferian Group and headquartered in Amsterdam, to help bring its pay TV service to its latest Android TV set top boxes, adding third party aggregated content and enhanced search functionality.
In digital television broadcasting, what matters is that the pictures should be displayed at the correct frame rate and lip-sync should be achieved in an isochronous system.
Digital Nirvana will demonstrate market-leading solutions that bring artificial intelligence (AI) and machine learning (ML) to postproduction and compliance workflows at the 2022 NAB Show.
Deploying Riedel’s Bolero wireless intercom system on its broadcast-camera motorcycles, Danish RF video specialist Krickhahn TV ensures seamless communications between the camera operator, driver, and production team during live coverage of cycling road races.
Bloomberg Media has shown that live Ultra HD video at 4K resolution can be streamed over 5G without satellites in a proof-of-concept trial in the US using Verizon’s 5G Edge with AWS Wavelength and Zixi’s Software Defined Video Platform (SDVP) to package and deliver the feeds.
