Mobile World Congress has come back as a full hybrid event with a substantial physical presence in 2022 after its absence in 2020 and skeletal form in 2021, with around 55,000 attendees in Barcelona, coupled with an even larger number of online delegates.
_460_219_70.jpg "The DVB is located at the European Broadcasting Union (EBU) offices in Geneva, Switzerland.")
The DVB Group based in Geneva has ushered in its specification for converged linear broadcast and internet video delivery around IP systems.
With increasing regularity, digital cinema cameras like Sony’s VENICE and RED’s KOMODO cameras are making their way onto the fields of major live sporting events and into multi-camera video coverage to create a “cinematic” look that enhances the viewing experience.
In digital television broadcasting, what matters is that the pictures should be displayed at the correct frame rate and lip-sync should be achieved in an isochronous system.
The Fourier transform is one of the most enduring and looking at the basics is a good place to start.
Everyone is trying to do more with less and the newsroom is no different. Automation offers significant benefits, including the ability to quickly make changes and adapt technically to things like work from home and remote production. But to what extent is AI taking over the newsroom?
In the previous article in this series, we looked at the challenges of streaming media for broadcasters, and in this article, we look at how specialized CDNs designed specifically for broadcast television delivers a greatly improved streaming experience for viewers.
MPEG LA, LLC, the Denver, Colorado-based licensing group overseeing such essential video compression patents as the MPEG-2, MPEG-4, VC-1, ATSC and HEVC standards, has released its highly anticipated Versatile Video Coding (VVC) Patent Portfolio License terms of use and many are concerned that the pricing might make VVC, or MPEG H.266, cost prohibitive for streaming video.
