BBC Studioworks has officially launched its new purpose-built studio, set in the heart of Glasgow’s West End in the iconic Kelvin Hall. Co-funded by the Scottish Government, through Screen Scotland and Glasgow City Council, the facility is a major boost to Scotland’s capacity to produce multi-genre TV productions and fuels the growth of Scotland’s creative workforce.
At this year’s IBC Show in Amsterdam, finally in-person after two years, remote production solutions were scattered throughout the exhibition floors, to no real surprise. Reduced costs, travel and shipping expenses, scalable infrastructure and efficient use of resources were all cited as advantages, while a few reasons for migrating carefully were also discussed.
Training neural networks is one of the most import aspects of ML, but what exactly do we mean by this?
The more digital TV technology advances, the more the fundamental elements of TV remain the same.
Chyron’s PRIME VSAR merges the cutting-edge graphics of Epic Games’ Unreal Engine 4 with Chyron’s built-for-broadcast design, editorial, and live production capabilities to radically simplify virtual production.
One cannot get very far with electricity without the topic of batteries arising. Broadcasters in particular have become heavily dependent on batteries to power portable equipment such as cameras and lights.
For over two decades Telestream has streamlined the ingest, production, and distribution of digital video and audio. Today, compared to its SDI/AES-based predecessors, IP video adds exciting new challenges to these workflows.
IP connectivity delivers flexibility and scalability but making the theory work often requires integrated solutions that are adaptable, open, and promote interconnectivity.
