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Last year, more than 400 original series hit the small screen. With no signs of slowing; predictions suggest 2017 could beat records, with over 500 programmes launched. It’s now possible for companies to make video easily accessible online and with the widespread adoption of Video on Demand (VOD) the content floodgates have opened like never before.
Japanese broadcasters are preparing for the 2020 Tokyo Olympic Games, including getting ready for 8K UHDTV. In 2018, public broadcaster NHK will roll out the needed ISDB-S3 standard. The multichannel R&S SLG signal generator from Rohde & Schwarz was used for the 8K satellite tests.
Mobile video consumption on a global scale is increasing exponentially, with live video as the key driver of mobile video engagement. While live mobile video users watch three times longer than on-demand video users and comment 10 times more on live video than regular videos on Facebook, these same viewers are highly demanding about quality. HECAS Mobile live streaming solution can provide real-live streaming with ultra low latency and perfect synchronization to meet the market needs.
At the start of 2013, BCE at RTL City was a hole in Luxembourg’s ground and in less than four years they were on air broadcasting 35 different channels across Europe and Singapore. Costas Colombus is BCE’s Special Projects Manager and gave The Broadcast Bridge a unique insight into how they made this mammoth installation work, including describing the issues and how they overcame them along the way.
In this second article in the series we look at the IP routers Costas and his team chose, and why.
Disasters can strike at any time and in many forms, leaving facilities with severe damage and stripping broadcast data centers of power for days. Though this can have catastrophic results, many broadcasters — through no fault of their own — surprisingly don’t have plans about how to truly protect content/playout since most of their time (and money, mind you) is spent creating, managing and delivering that content. But in the wake of several hurricanes in the US this year, as well as the horrific earthquake in Mexico, media companies are in fact putting greater emphasis on securing content and making sure their station’s main and backup feeds aren’t compromised during a disaster.
The growth in online video consumption has been associated with a decline in traditional family viewing around the big screen but is now bringing about a new form of social TV where people congregate remotely via second screens. This is happening as OTT enters its third generation, according to Francesco Moretti, Deputy CEO at Fincons Group, an IT consultancy and systems design group headquartered in Bern, Switzerland.
Some TV people become concerned when all their eggs are in one basket. In fact, when everything is in one basket, you always know exactly where the basket is.
Live TV is a like a magic act. It works best when the audience can’t see what’s really happening.
