U.S. broadcasters are required to keep logs and, in some special cases, self-report to the Federal Communications Commission (FCC) to prove compliance with FCC rules related to, among many other things, emergency alerting. Organizations failing to do so face increasingly significant fines. That’s why it’s so important for broadcasters to have a solid emergency alerting and compliance protocol in place — one that includes a regular Emergency Alert System (EAS) and Common Alerting Protocol (CAP) system check-up.
UHD rollout has been average rather than stellar to date. Matthew Goldman, Senior Vice President, Technology, Media Solutions, Ericsson provides an insightful explanation about why this might be and what issues might tip the scale.
Historically, broadcast-related activities had to located near the actual broadcast production chain. But with the advent of cloud services, many auxiliary broadcast services can be located anywhere.
In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s. In this article we start to look at the human visual system and color temperature.
The number of mobile phone video viewers in the United States is expected to reach almost 170 million this year. An additional 10 million may be added by 2020. With such large and increasing audiences, broadcasters are eager to serve these viewers. As streaming live over LTE networks becomes increasingly common, operators that are prepared by using multicast ABR will be the long-term winners.
The broadcast industry is on the cusp of a new era with the launch of ATSC 3.0 This flexible platform supports multiple types of encoding, which can result in viewers always getting the best available signal over a variety of reception conditions.
In this series of articles, we will explain broadcasting for IT engineers. Television is an illusion, there are no moving pictures and todays broadcast formats are heavily dependent on decisions engineers made in the 1930’s and 1940’s. In this article we look at how to represent time in 59.94i frame systems such as those based on the American NTSC systems.
If UHD is going to become a mainstream broadcast medium, we’ll need to be able to monitor, edit and review it. But can we?