OTT distribution is worlds apart from traditional unidirectional broadcasting in terms of its fundamental operation and viewing preferences.
The internet is a rapidly expanding collection of service providers, many in direct competition, transferring broadcaster video and audio streams alongside many other types of often conflicting data.
We call them hard disks to distinguish them from floppy disks. As the latter have practically died out as a result of progress in solid-state storage such as flash memory, it is probably not necessary to specify that disks are hard anymore, but tradition is a powerful thing.
After visiting the recent Henry Stewart DAM (Digital Asset Management) conference in New York, Gary Olson asked some very difficult questions of Cloud vendors regarding security. Their responses may surprise you.
The push for integrating NextGen TV receiver chips into popular mobile devices picks up momentum at the 2019 NAB Show.
In the media industry, speed has become a critical workflow requirement even more than ever, especially for delivering live sports. Today, consumers have a large number of avenues for watching live sports, including traditional broadcast TV channels, OTT services and a growing assortment of apps and video services. Facing a growing and diverse range of competition, broadcasters, TV networks and OTT service providers need to be more agile and work faster, while constantly monitoring costs on all fronts.
Arrival of the ATSC 3.0 standards with major revisions and enhancements over the preceding second-generation version has put the spotlight on the global future of Over The Air (OTA) broadcasting in general.
In the last two articles in this series we looked at why we need to monitor in OTT. Then, through analysing a typical OTT distribution chain, we sought to understand where the technical points of demarcation and challenges arise. In this concluding article, we look at what and where to monitor in a multi-service-provider OTT delivery system.
In this new series, it will be seen that color is a complex subject and all the more so for being multidisciplinary. The difficulty with such a large subject is that it is hard to leave things out when they are so fascinating.
