Master once and use forever should strike fear in the heart of anyone why hasn’t got their quality pipeline correct. What does this mean for IMF?
Quality control (QC) operations are evolving. A decade ago, QC was strictly a manual-based process. In more recent years, broadcasters have relied on file-based, automated QC workflows to speed up operations and ensure the accuracy of video and audio content.
New technology and the FCC broadcast spectrum repack channel re-assignment process is driving many US TV stations closer to replacing their broadcast antennas.
Recent FCC announcement encourages broadcasters to make equipment decisions in preparation for Spectrum Repack and ATSC 3.0, including the benefits of vertical polarization for mobile TV reception.
In the previous Cloud Broadcasting article, we looked at the business case for public clouds. In this article, we delve further into Cloud Born systems and go deeper into cloud security.
The cable TV industry has received a boost with announcement of new guidelines for interoperability between the latest DOCSIS 3.1 specification for advanced broadband services and the MoCA 2.0 (Multimedia over Coax Alliance) standards for data transmission over coaxial home networks.
So you think you want to virtualise your playout? Good, there are many benefits to be gained from deploying a channel in the cloud. For centralcast hubs, service providers, MCOs (Multiple Channel Operators), sports broadcasters, and corporates, virtualised playout can deliver an affordable option to deploy or contract IP-based channels instantly without the burden of racks of complicated hardware, and weeks or months of setup and provisioning.
After more than two years of technology development, subcommittee discussions and field tests, on February 23rd the Advanced Television Systems Committee (ATSC) recommended that North American broadcasters choosing to migrate to the next-generation ATSC 3.0 specification use the Dolby AC-4 codec for OTA transmission. The Dolby system was up against a group of companies that have developed a competing system known as MPEG-H Audio
