Immersive TV is emerging from the vapors of multiple technologies to make viewing more engaging for users and more profitable for providers of content or ads. Its big advantage is that it is not just one aspect of viewing like “more pixels” as in 4K, but the whole assemblage of technologies that add up collectively to the viewing experience.
As broadcasting moves from its artisan cottage industry to highly efficient production lines of the future, understanding business needs is key for engineers, and recognizing the commercial motivations of CEO’s and business owners is crucial to building a successful media platform.
A Comark transmitter is licensed and ready for experimental on-air, real-world ATSC 3.0 broadcast trials from Tribune Broadcasting’s WJW-TV facility.
Today’s broadcasters face increasing challenges in the preparation and delivery of digital video in an efficient and cost-effective manner. Content now needs to be delivered across a growing number of platforms and screens. And processing such assets in multiple formats requires new workflows and tools, all of which increases operational complexity. Is there a solution? Yes.
Unless you are a greenfield site, have one vendor to meet all your operational and creative needs, or are incredibly lucky, you will at some point need to integrate your Cloud Software-as-a-Service into the broadcast workflows. This is much easier said than done.
Local New York City TV stations expect the new central TV broadcast antenna spire crowning 1 WTC to be the pinnacle of a dynamic future.
US pay TV operators and networks are collaborating to bear down on stream piracy through an expanding coalition funded equally by satellite operator Dish and broadcast channels.
Master once and use forever should strike fear in the heart of anyone why hasn’t got their quality pipeline correct. What does this mean for IMF?
