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The way consumers engage with content is constantly shifting and at a faster pace than ever before, leaving the television industry playing catch up. Broadcasters, production companies and content producers around the globe are seeing the complexities in production and distribution soaring, increasing costs with lower revenue per asset. At the same time, the TV production world has struggled to keep pace with the twin drivers of technological advancement and evolving consumer viewing behavior.
Vualto, which specializes in video streaming and DRM, says that ITV chose its event orchestration technology to deliver live streamed events via the ITV Hub video-on-demand service. This also featured the firm’s DRM protection.
OTT broadcasters now have the ability to monitor Dolby Atmos encoded audio thanks to an industry first by TAG Video Systems.
The reduced bay-spacing antenna design and two-station combiner will accommodate a second station while providing Educational Media Foundation’s WJKL-FM with a robust FM signal.
The new 1.9.0 release brings new features and improvements for additional control and important savings.
Barring the unexpected, the broad themes of 2021 in broadcasting and media entertainment have already been sculpted by the unprecedented events of 2020.
The industry experienced futureshock head-on in 2020. The impact will take a long time to unwind but it’s already clear that some changes will be profound and not all of them bad. In part 2 we look at what sports and sportscasters need to do to change the live experience to make money and AI’s growing role in the ecosystem.
WJFW-TV, an NBC affiliate in Rhinelander, Wisconsin, just added its third AirBox Neo-20 server to handle content and master playout. The latest addition to its PlayBox Neo complement is assigned to WJFW’s primary channel, and two other AirBox Neo-20 servers manage playout for the station’s digital sub-channels – Antenna TV and COZI-TV.
