Eurovision Sport, the sports distribution arm of the European Broadcasting Union (EBU) operating on behalf of members across the continent, has been expanding on its relationship with Haivision, the US provider of low latency streaming and video encoding technology.
GatesAir is heading outdoors with the broadcast industry’s first self-contained, fully weatherproof transmitter series built for challenging coverage areas and install points.
Looking to level the playing field for on-demand content providers of all sizes, MediaKind has launched a new software platform called Engage that provides users with a direct-to-consumer, cloud-native solution for video contribution, production, streaming, and audience engagement. With it, sports entities, broadcasters, and other content providers can make a seamless and cost-effective transition to automated operational workflows in the Microsoft Azure public cloud in order to maximize the value of their OTT offerings.
One of the earliest and most widespread applications of synchronizing was in television.
ETV Bharat, the comprehensive digital national news platform, owned and operated by Ushodaya Enterprises Pvt, has selected a range of Grass Valley solutions to underpin its upgraded production and editing operations.
In Part 1, we looked at how the internet operates and the components that make it so effective. In this article, we consider the broadcast applications available and what it means to “connect to the internet”.
Monitoring has always been the engineers’ best friend as it turns apparent chaos into order and helps us understand what is going on deep inside a system to deliver high-quality pictures and sound. As OTT continues to play a more prominent role, the need to monitor internet distribution systems is becoming increasingly compelling.
The random-access characteristic of the disk drive made it attractive for audio editing purposes and when drive prices fell as computers became popular the attraction was even stronger.
