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Monitoring has always been the engineers’ best friend as it turns apparent chaos into order and helps us understand what is going on deep inside a system to deliver high-quality pictures and sound. As OTT continues to play a more prominent role, the need to monitor internet distribution systems is becoming increasingly compelling.
The random-access characteristic of the disk drive made it attractive for audio editing purposes and when drive prices fell as computers became popular the attraction was even stronger.
Dejero and Dazzl have formed a partnership to simplify cloud-based live production and have already delivered their first projects; facilitating uninterrupted coverage of two challenging high-profile alpine races, the Dynastar X3 Courchevel Triathlon 2021 and the Torgon Trail 2021, by local French TV station TV8 Mont-Blanc.
For the 15th year, Riedel Communications provided advanced intercom and signal distribution technologies and on-site engineering support for the record-breaking 65th edition of the Eurovision Song Contest (ESC).
Remote broadcast transmitters were once logged and controlled from studios over a standard telephone line, and monitored on a consumer TV. The alarm was the GM calling the Master Control Red Phone.
With mature, cloud-based services now prevalent across the industry, helping to process and distribute content faster and more accurately than ever before, the long sought-after promise of producing content in the cloud—reducing cost and physical barriers—prompted broadcasters and production companies to experiment with new ways to make it a common reality.
Digital Nirvana’s Trance 3.2 includes new features to enable faster, more efficient production of publishable closed captions and translations.
IP is empowering broadcasters the world over to improve flexibility, scalability and resilience. We often describe the internet in “fluffy cloud” terms, but to truly leverage its capabilities, broadcasters must now dig into the detail of its operation.
