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The studio at Visual Three boasts a robust 4K/UltraHD HDR infrastructure equipped with a range of AJA’s powerful broadcast solutions, including the FS-HDR real-time HDR/WCG frame sync and converter, to produce pristine content for live workflows.
IP is well known and appreciated for its flexibility, scalability, and resilience. But there are times when the learning curve and installation challenges a complete ST-2110 infrastructure provides are just too great.
IP and COTS infrastructure designs are giving us the opportunity to think about broadcast systems in an entirely different manner. Although broadcast engineers have been designing studio facilities to be flexible from the earliest days of television, the addition of IP and COTS takes this to a new level allowing us to continually reallocate infrastructure components to make the best use of expensive resource.
We live in fascinating times: increasingly, we live in the era of cloud-based broadcast operations.
Relying on Riedel solutions for over a decade, the All-England Lawn Tennis and Croquet Club (AELTC) has steadily expanded its Riedel infrastructure, with the 2021 Wimbledon Championships marking the biggest-ever deployment on the prestigious tournament grounds.
Broadcasters create digital-first viewing experiences using AVIWEST technology and Grabyo’s cloud video production platform.
China’s video codecs stole the show at last year’s prestigious annual competition staged by Moscow State University and are tipped to do so again this year.
Moving to IP is allowing broadcasters to explore new working practices and mindsets. Esports has grown from IT disciplines and is moving to broadcast and has the potential to show new methods of working.