In the previous article in this two-part series we looked at how cloud systems are empowering storytellers to convey their message and communicate with viewers. In this article we investigate further the advantages for production and creative teams.
For large media companies, especially those with global exclusive sports and entertainment rights that are delivered around the world simultaneously, the new frontier is streaming millions (and sometimes billions of viewers) of live events over an IP infrastructure. Or more specifically, a series of tightly linked cloud services that process media quickly and ultimately span the world.
Telkom Indonesia has a new multi-channel playout system, MAM and archiving solution, part of a master control room build, for which Magna Systems & Engineering was chosen following tender.
Practically all communication, including broadcasting, relies totally on electromagnetic waves that may be radiated far and wide from transmitters or guided along wires, waveguides or optical fibers.
Southern Cross Austereo (SCA) broadcasts 93 free to air TV signals across regional Australia including Sky News Regional and use MediaHub to deliver its services.
The focus of much of the latest broadcast TV R&D is the Remote Integration Model (REMI). From millions of Skype meetings over consumer ISPs to the recent Winter Olympics TV broadcasts, REMI is significantly changing the internal dynamics of live, between-the-glass, remote TV production and viewing.
Visual Data, a California based provider of content preparation services for OTT and streaming platforms such as Netflix and Amazon primarily, has enhanced its Color Correction and QC Workflow with Dolby Atmos and technology from Leader.
Envoi, a provider of cloud-based content management, distribution, and monetization technology, has been helping The Miracle Theater, a Californian entertainment venue, produce, shoot, edit, and stream live music, stand-up comedy and film premieres directly during the Covid-19 pandemic.
