SDI and IP differ fundamentally in their approach to data transport as SDI is circuit switched and IP is packet switched. This provides interesting challenges for us as we start to consider what it means to route IP signals.
Our first Essential Insights is a set of three video episodes in which we discuss transitioning to IP with industry experts. We explore the fundamental challenges during the planning stage. The decisions that need to be made, and the long-term thinking needed to maintain flexibility, scalability and resilience.
The best sampling rate for digital audio is easily established by considering the requirements of the human auditory system (HAS), which is the only meaningful arbiter. Provided that the bandwidth of a digital audio system somewhat exceeds the bandwidth of the HAS, that should be enough.
Elbo Studios co-owner Chris Fogel utilizes NUGEN Audio’s Halo Upmix, Monofilter and Stereoizer software for several high-profile streaming productions.
Italian broadcast services provider Global Production - EMG Italy has added two Bolero wireless intercom systems to improve clarity, enable communication over more channels, increase efficiency in daily operations, and save money on RF applications in outside broadcast environments and TV studios.
Television production these days is tricky enough without adding virtual elements like augmented reality (AR) graphics, but that’s exactly what Taipei-based production company Getop did for the live telecast of the 2020 Golden Melody Awards (GMA). The highly rated annual televised awards ceremony - considered the “Asian Grammys” by many - celebrates top musical talent from across southeast Asia.
Adding to the success of its renowned CrewCom digital wireless intercom system, Pliant Technologies announces the CrewCom CB2 Professional Wireless Intercom system.
Studio Technologies has released a macOS-compatible version of its popular STcontroller software application.