Riedel’s intercom and audio distribution systems are a game-changer for Crealine’s live event productions.
The recursive filter has the advantage of using less hardware, but is more complex to understand.
MBC GROUP, a media company in the MENA region, recently upgraded its audio infrastructure with AES67/RAVENNA-compliant Lawo IP equipment for its two control rooms and studios located in Dubai Studio City.
It’s still early days for live Dolby Atmos broadcasting in the United States, but Glenn Stilwell, senior audio engineering and operations manager for the Pac-12 Networks, is ready for it. Indeed, not only has Stilwell been experimenting with creating Dolby Atmos mixes in preparation for its more widespread use in live broadcasting, but he is also helping to train A1s in the technical aspects of the immersive format.
Once the basic requirements for reproducing sound were in place, the most significant next step was to reproduce to some extent the spatial attributes of sound. Stereophony, using two channels, was the first successful system.
United Studios of Israel (USI) has significantly enhanced communications capabilities across its expansive Hertzliya Studios with its recent deployment of a Riedel Communications Bolero wireless intercom system. The Bolero system enables flexible communications across eight state-of-the-art television studios, as well as OB vans in the field, during live production of entertainment, sports, and reality TV shows.
Berlin-based electronic musician and mixer Felix Klostermann recently relocated his studio, taking advantage of the new, larger space to install a Solid State Logic ORIGIN 32-channel analog mixing console. The move marks the latest step in Klostermann’s evolution toward a fully analog music-making process for his live performance based electronic productions.
NUGEN Audio announces its newest reverb plug-in, Paragon ST – a mono/stereo-only version of its convolution reverb software.