This list of file container formats and their extensions is not exhaustive but it does describe the important ones whose standards are in everyday use in a broadcasting environment.
Talk to any audio engineer in the broadcast or live segment and they will tell you that separating the control surface (some call it the front end) from the I/O stageboxes and routing/patching section (the back end) as well as the DSP processor makes their lives so much easier, especially if such a setup evolves around an intuitive management system.
The Bathurst 1000 is a massive production by anybody’s standards, with 175 cameras, 10 OB’s, 250 crew and 31 miles of fiber cable. Here is how the team at Gravity Media Australia pull it off.
The origins of Genelec’s UNIO platform date back to the launch of our Smart Active Monitoring (SAM) family in 2006.
Outside broadcast adds layers of complexity to audio workflows. We discuss the many approaches to hybrid remote production and discuss the challenges of integrating temporary or permanently distributed production teams.
DHD audio reports the completion of a major update to the Rome-based production facilities of Italian radio and internet broadcast InBlu2000. Audio mixing systems from DHD have been integrated as part of a large scale studio renovation supervised by Milan-based broadcast technology specialist BVMedia.
Home to around 250 independent studios and businesses, TYX Studios is the heart of the vibrant Tileyard creative business community. Its two premium Signature Studios, the Red Studio in London and the Cotton Mill Studio in Wakefield, have recently upgraded their monitoring solutions to Genelec’s The Ones.
Riedel Communications has announced that its RefBox video review system has been certified as part of the FIFA Quality Programme for Video Assistant Refereeing (VAR) technology.