John Hunter holds a unique distinction among broadcast audio mixers: he was the A1 for the NBA Raptors vs. Pelicans basketball game in November 2018, one of the very first sports events to be produced in immersive Dolby Atmos sound with 4K HDR picture for live distribution to homes across North America.
Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.
Greece-based INA TV is using Calrec’s Summa console and Hydra2 networking technology to satisfy the complex UEFA technical specifications to broadcast European qualifying matches for this year’s World Cup.
Germany’s WELT TV equips its new, state-of-the-art studio with Clear-Com’s Eclipse and FreeSpeak II.
Entertainment over the internet has gained significant traction over the last years. For this reason, companies have developed new business models in order to retain customers, by meeting their emerging needs and studying the behavior patterns of online streaming consumption.
_optional_6-fader_extension_460_309_70.jpg "The new DHD DX2 desktop mixer with (on left) optional six-fader extension module.")
DHD.audio has issued advance information on impending additions to its range of studio equipment, including next-generation processing cores, expanded firmware features and a new space-efficient compact control console.
Swiss private radio stations “Radio 24” and “Virgin Radio Switzerland”, owned by CH Media, have become the first stations to install Lawo’s newly introduced diamond radio consoles.
If 2020 was considered a disruptive one for the television production community, 2021 was a year where trial and error and the lessons learned became real-world REMI deployments to keep live sports and entertainment content on the air. Production studios too learned to adapt with fewer crew allowed inside and social distancing becoming the new normal.