Liverpool Philharmonic has deployed Riedel’s Bolero wireless intercom system in a standalone configuration to enhance communications at Liverpool Philharmonic Hall. In the Hall’s Art Deco auditorium and smaller Music Room, the Bolero system is replacing an existing wired communications solution to manage and cue concerts, live events, recording activities, and filming work.
Equipment includes three ruby audio broadcast consoles, a Power Core DSP mixing engine, and VisTool visualization and control software, which will be the backbone of a fully IP-based production unit. Also included are Lawo RƎLAY virtual radio solutions, which will permit hardware-independent on-air and production work.
As Dolby Atmos continues to become a dominant force in the audio industry, studios like Melbourne-based Red Road Immersive are pushing the boundaries with sound design, bringing unparalleled audio experiences to listeners.
John Hunter holds a unique distinction among broadcast audio mixers: he was the A1 for the NBA Raptors vs. Pelicans basketball game in November 2018, one of the very first sports events to be produced in immersive Dolby Atmos sound with 4K HDR picture for live distribution to homes across North America.
Optimization gained from transitioning to the cloud isn’t just about saving money, it also embraces improving reliability, enhancing agility and responsiveness, and providing better visibility into overall operations.
Greece-based INA TV is using Calrec’s Summa console and Hydra2 networking technology to satisfy the complex UEFA technical specifications to broadcast European qualifying matches for this year’s World Cup.
Germany’s WELT TV equips its new, state-of-the-art studio with Clear-Com’s Eclipse and FreeSpeak II.
Entertainment over the internet has gained significant traction over the last years. For this reason, companies have developed new business models in order to retain customers, by meeting their emerging needs and studying the behavior patterns of online streaming consumption.