IP broadcast infrastructures are delivering on their promise of flexibility and scalability. But as we progress on our IP journey, we are now discovering that an integrated monitoring system is essential.
While cloud-based, decentralized infrastructures are increasingly becoming an efficient way to produce and distribute live and pre-recorded television content, it all starts with a control room, physically located somewhere that must be staffed and sources managed with the utmost care. However it’s not only broadcasters, but also corporations, churches, and various industries that now distribute video feeds from live events still rely on production control rooms in their facilities.
At IBC 2022, SSL will showcase broadcast audio workflows for immersive and remote production, as well as new TE1 & TE2 DSP engines with scalable DSP licensing.
Streamlining IP based production, virtualization of audio production technology and enabling immersive experiences for mainstream viewers are key themes at IBC 2022.
Clear-Com’s exhibit will include the highly anticipated Arcadia Central Station with HelixNet Digital Network Partyline integration, as well as the full range of FreeSpeak digital wireless solutions and the LQ Series of IP Interfaces.
To support a range of broadcast control applications and workflows, TSL will showcase its full suite of Universal Control Panels at IBC 2022.
Our third and final part of this series looks at Quality Control & Compliance, which bring efficiency, confidence, and legal conformance to daily TV station operations.
Focusing on the needs of film and TV productions, DPA is highlighting its 4097 CORE Micro Shotgun Microphone, which can also serve as a boom mic for broadcast applications. Two important mic solutions ideal for televised live event productions, the 4466 CORE Omnidirectional and 4488 CORE Directional Headset Microphones and the 4055 Kick Drum Mic, will also be featured on the show floor.