Italy’s state broadcaster RAI has upgraded the music studio at its Fabrizio Frizzi television studios in Rome. The project has seen the studio add new 5.1 surround and stereo systems, based around Genelec’s ‘The Ones’ three-way coaxial Smart Active Monitors.
Machine learning is often compared to the human brain. But what do they really have in common?
We continue our series on Broadcast Audio Systems with a discussion about workflow with multi-award winner Robert Edwards. We look at general purpose workflows, and some considerations for different types of production across news, sports and chat shows. As the degree of complexity and stress ramps up as soon as a live audience is introduced, part two will look at more expansive light entertainment shows which have audiences, multiple presenters, bands and egos.
Calrec Audio has unveiled a brand-new audio mixing system designed to keep pace with the changes broadcasters are experiencing in their production workflows. Designed to adapt to changing production needs, Calrec’s Argo is a new approach to audio mixing, with a flexible control philosophy that breaks the traditional geographic tie lines between processing and control.
The latest Flexiva transmitter series is optimized for analog FM without the overhead of digital - and at a friendly price point.
Responding to broadcasters’ requirements for cost-effective, networked audio monitoring, TSL will showcase its complete portfolio of audio solutions at IBC. Ranging from its MPA1 line to its SAM-Q and PAM offerings, TSL provides its customers with audio monitoring options that will fit varying workflows and budgets.
Studio Technologies will present its latest solutions at IBC 2022, including its Model 209 Talent Console, Model 354 Talk Station, Model 5304 Intercom Station, Model 5422A Dante Intercom Audio Engine, and Model 5482 Dante Bridge.
It’s been over 40 years since Genelec started life as a manufacturer of professional monitor loudspeakers, and I felt the urge to reflect on how much has changed in the broadcast world in that time, and yet how much the role of a good studio monitor has remained largely unchanged. After all, you’ve always used monitors to make judgements about the audio you’re working on, and to guide your actions to reach a point where you’re happy with the resulting mix – haven’t you?
