Broadcasting is totally dependent on waves which crop up in a surprising number of places. Sound waves and light waves form the message, which is delivered by further types of wave.
For more than 15 years, Italy’s Nut Academy has been training sound technicians, sound designers and producers of electronic music based on the ethos that “the best way to teach is to put the student in the ideal conditions to learn”.
At this year’s IBC Show in Amsterdam, finally in-person after two years, remote production solutions were scattered throughout the exhibition floors, to no real surprise. Reduced costs, travel and shipping expenses, scalable infrastructure and efficient use of resources were all cited as advantages, while a few reasons for migrating carefully were also discussed.
Sony has announced the newest addition to the brand’s prestigious Cinema Line – the FX30 (model ILME-FX30). The new FX30 is a 4K Super 35 compact cinema camera that offers many professional features of the Cinema Line, such as Dual Base ISO, Log shooting modes, and user-imported LUTs (Look Up Tables) at a price point that appeals to many aspiring filmmakers.
Training neural networks is one of the most import aspects of ML, but what exactly do we mean by this?
As the wider broadcast industry picks up the pace with virtualized, cloud-native production systems we take a look at what audio vendors currently have available and what may be on the horizon.
One cannot get very far with electricity without the topic of batteries arising. Broadcasters in particular have become heavily dependent on batteries to power portable equipment such as cameras and lights.
For over two decades Telestream has streamlined the ingest, production, and distribution of digital video and audio. Today, compared to its SDI/AES-based predecessors, IP video adds exciting new challenges to these workflows.