Lawo has made a technology introduction of its next-generation server-based processing platform consisting of scalable, dynamic broadcast and media production apps and microservices. The commercial scheme under which they will be made available is equally revolutionary.
Here we continue the story of motion compensated compression using macroblocks.
Here we look at reflection and refraction, which figure highly in the cameras and lighting equipment used by broadcasters, to say nothing of the real word in which images are captured.
Although IP and cloud computing may be the new buzz words of the industry, hardware solutions are still very much in demand, especially when taking into consideration software defined architectures. And in addition, a whole new plethora of FPGA based configurable systems are providing flexibility, resilience, and scalability.
There’s a lot to consider when planning to incorporate uncompressed media into your live production particularly using SMPTE ST 2110, ST 2022-6 or AES67 streams. In this article, we will look at the network hardware, its architecture and future-proofing you should be considering.
New additions to Studer Vista digital mixing consoles and Evertz’ BRAVO Studio virtual production control suite are redefining the creative experience for content creators and broadcasters.
In response to a surge in OB broadcast sessions, Finland’s Soundon has recently added a second OB van to its fleet – equipped with a 5.1 Genelec Smart Active Monitoring System.
The CCU-08 is the latest addition to the CrewCom intercom system and gives users the ability to use up to eight 4-wire ports while retaining all the same features of the existing companion CCU-22 and CCU-44 products.